But developers also say good practices should be followed when talking to each other, and while some may do, reality is often very different.

It requires discipline, which varies a lot between developers, between projects, current mood, and so on.

In the beginning you might be careful doing small changes, but after a while you might get more tempted to accept the output for what it is, because ultimately that's much easier.

So the way I see it; the left side is harder work and potentially bigger but delayed dopamine hits, the right side is quick dopamine hits. How do we (at least those who struggle with discipline) resist just slipping to the right?

I started out carefully myself and slipped more into vibe coding, but I don't feel particularly proud of it for some reason.

I personally think the owners should get to decide, but it's an interesting duality.

(assuming it's not like everyone has a share or something, in which case they would've all had to agree I guess)

What happens too often during these discussions is that someone who writes "make me a cool image" gets conflated with someone used ai to fixup a small rock in their natural landscape drawing. (two extreme ends)

One problem though, is that we don't really know how much the supposed human author was involved in the piece. Now that it's becoming hard to judge, people against ai art can proudly change their opinion on on a piece once they learn that it was made by ai. I've come to think this is somewhat respectable, like you see a video of some extraordinary event (before ai) and then you learn that it was fake, just for views or something.

But on top of all this, there are different ways to "consume" art. Artists may think more about who the artist is as a person and what they felt when they made the piece, while non-artists may just enjoy the piece for what it is, detached from the artist. These two perspectives clash a lot.

I am not very disciplined, and find it too convenient to reach for an agent these days.

This may sound ridiculous, but I am addicted to nicotine. I used to have some sort of rule around how I am allowed to use nicotine pouches to manage my addiction. For example after I finish writing a feature, I could have one pouch. It was obviously a dumb idea that didn't last very long.. But in that specific aspect, coding agents feel similar. I tried setting up rules on how I should use them, but it's not easy to follow them.

Maybe the biggest problem is just guilt?

I'm also somewhat addicted to this stuff, and so for me it's high priority to evaluate open models I can run on my own hardware.

One interesting variable is that I'm located in Vietnam while my coworkers are located in Norway and Europe.

To work around this issue I used Claude for coding with a Copilot subscription which was much cheaper and had virtually no rate limiting.

Copilot gives you some set amount of credits each month, but you can also pay as you go if you run out of credit which is much better than the 5 hour window crap claude code would give me.

The only opus model available now on copilot for some reason is 4.7 and it costs 7.5x tokens, while everything else is 1x, 0.33x or free.

But I switched to using GPT 5.4 medium for a month or so which I find very reasonable.

My goto proprietary model in copilot for general tasks is gemini 3 flash which is priced the same as haiku.

The qwen model is in my experience close to gemini 3 flash, but gemini flash is still better.

Maybe it's somewhat related to what we're using them for. In my case I'm mostly using llms to code Lua. One case is a typed luajit language and the other is a 3d luajit framework written entirely in luajit.

I forgot exactly how many tps i get with qwen, but with glm 4.7 flash which is really good (to be local) gets me 120tps and a 120k context.

Don't get me wrong, proprietary models are superior, but local models are getting really good AND useful for a lot of real work.

Claude code always give me rate limits. Claude through copilot is a bit slow, but copilot has constant network request issues or something, but at least I don't get rate limited as often.

At least local models always work, is faster (50+ tps with qwen3.5 35b a4b on a 4090) and most importantly never hit a rate limit.

Here people watch tik tok on full blast, people let their kids run amok in concrete cafes, constantly honk at each other, blast karaoke for all neighbors to hear, etc.

These people have some ability to sift through noise. For example being able to talk to someone on the phone with a loudspeaker in a loud environment while both seem to understand each other well.

But for some reason, the majority of people don't care, and so in some weird way, the concept of sound pollution don't exist.

When sound pollution don't exist as a concept, there is nothing to get annoyed about.

But my experience as an artist talking to non-artists about art, I don't think the sentiment that art without a struggling artist, purpose, story to tell, human arc, etc, is not real art is a true sentiment. First of all, because it's not true, because people apply their own meaning and form their own unique relationship with an artist. (The saying don't meet your heroes come to mind.)

Note that I'm not talking about AI at all here. I'm 100% for banning purely generated AI on soundcloud, bandcamp, spotify, etc. What I really want is to filter out art created by people who has put profit as first priority and thrown away any shred of artistic integrity.

But this is an impossible feat, because who am I to judge that someone else's favorite artist is devoid of artistic integrity?

While I personally like it when people put their heart and soul into something, even if the result is technically not very great, it's society who is the ultimate judge of whether that creation benefits them or not.

I know that the track I'm currently listening to is superior in every way to some modern pop song. The artists have practiced for decades, they have their own unique style I can recognize in other tracks. But I also know that 99.999% of people don't give a shit and think it's noisy music, and depending on your perspective, they're correct.

Coding aside, LLM's aren't very good at following nice practices in general unless explicitly prompted to. For example if you ask an LLM to create an error modal box from scratch, will it also implement the ability to select the text, or being able to ctrl c to copy the text, or perhaps a copy message button? Maybe this is a bad example, but they usually don't do things like this unless you explicitly ask them to. I don't personally care too much about this, but I think it's noteworthy in the context of lay people using LLM's to vibe code.

BUT

An LLM can write a PNG decoder that works in whatever language I choose in one or a few shots. I can do that too, but it will take me longer than a minute!

(and I might learn something about the png format that might be useful later..)

Also, us engineers can talk about code quality all day, but does this really matter to non-engineers? Maybe objectively it does, but can we convince them that it does?

To me, it seems more like people place their own meaning in art. A particular song might remind one individual of the good times they had in their teens, while the actual meaning of the song is completely different.

Bachs 5th symphony (or whatever) might be extremely annoying to someone because they had to listen to it every day at work.

And what exactly is the meaning of jazz fusion? I really like a good solo, but a lot of people hate it, they need to hear a voice. (though I don't particularly like the signature Suno or Udio solo..)

I found this ai track on Spotify that I unironically enjoyed. I listened to it every day while working on reviving an old passion project, which became its meaning to me. The tune, a long with its album with random disparate suno generations was taken down.

I'm not sure if I have a point here, but something is off with the story thing in art to me from a consumers point of view. Maybe from other artists as consumers point of view?

I thought I'd revive it, but this time with Vulkan and no third-party dependencies (except for Vulkan)

4.5 Sonet, Opus and Gemini 3.5 flash has helped me write image decoders for dds, png jpg, exr, a wayland window implementation, macOS window implementation, etc.

I find that Gemini 3.5 flash is really good at understanding 3d in general while sonnet might be lacking a little.

All these sota models seem to understand my bespoke Lua framework and the right level of abstraction. For example at the low level you have the generated Vulkan bindings, then after that you have objects around Vulkan types, then finally a high level pipeline builder and whatnot which does not mention Vulkan anywhere.

However with a larger C# codebase at work, they really struggle. My theory is that there are too many files and abstractions so that they cannot understand where to begin looking.

Contrast this with the "os" of my LG oled monitor. It seriously takes 5 seconds to open the settings menu.

When you go to the market to buy socks, it's a little difficult not to find socks without logos like nike, addidas, gucci, prada, etc.

If you wear the real deal, everyone will think it's fake, or perhaps "worse", they will think nothing of it.

You can buy high quality fakes, or low quality. Or even the real deal, straight from the factory, just without the final stamp of approval.

I haven't read antirez'/redis' opinions about Lua, so I'm just going off of his post.

In contrast I do know more about what Garry's opinion on Lua is as I've read his thoughts on it over many years. It ultimately boils down to what antirez said. He just doesn't like it, it's too unfamiliar for seemingly no intentional reason.

But Lua is very much an intentionally designed language, driven in cathedral-style development by a bunch of professors who seem to obsess about language design. Some people like it, some people don't, but over 15 years of talking about Lua to other developers, "I don't like the syntax" is ultimately the fundamental reason I hear from developers.

So my main point is that it just feels arbitrary. I'm confident the main reason I like Lua is because garry's mod chose to implement it. Had it been "MicroQuickJS", Lua would likely feel unfamiliar to me as well.