https://news.ycombinator.com/item?id=40313143

(I guess my only concern is around potentially reinventing the wheel when it comes to some of these areas. E.g. do you plan to integrate every feature from Zotero, like the web-integrated grabber? That sounds like a prodigious amount of work, but without it it’s hard to fully supplant Zotero as a reference management solution. I’m curious as to your roadmap for this and what you see as the ultimate feature set and user workflow.)

Comments URL: https://news.ycombinator.com/item?id=38555920

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But these synergise—we all know that scene and P2P film releases percolate from private sites to public ones, for instance. Torrents may die in the public sphere before being reseeded from an obscure, yet shielded and resilient, private archive (I have done this). The economies of private sites encourage the contribution of new content, which after a requisite delay is disseminated outwards to the public sphere. Light is the left hand of darkness, darkness the right hand of light. (The same model applies among private sites too as content is cross-uploaded, building resilience in the shadow archive. When one private or public site shuts down, that content doesn’t all have to disappear.)

I would actually argue that where public materials are less available, it’s less because of the private sites (which will always exist) being private and more because there are no public sites for that media type to be mirrored to. Think Libgen, which absorbs almost all contributions to private book sites eventually. Music enjoyers aren’t so lucky usually, which I think is because of the language gap between the major public music site that you mentioned and private music sites which are predominantly English-language.

People in the 21st century know a lot about the mistakes of the past century that led to much popular culture of the time being lost (especially terminally online people who've watched lots of Youtube documentaries about lost Dr. Who episodes and so on), so it surprises me how little we try and avoid those same mistakes with today's ephemeral pop culture in the form of memes. People like yourself who want to help make the internet's huge corpus of memes tractable are part of the solution in terms of meme archival and cultural memory.

(There's a good meme metadiscussion group on Discord, "The Philosopher's Meme," which you might be interested in joining. People there would be very keen to discuss what you've made.)

Looking back at the history of manga, it is possible to see how new innovations have played with and manipulated standard ideas of paneling and framing to produce fascinating and artistic work. A seemingly constrained format (small-size black-and-white comic book) becomes a canvas for extraordinary creative expression.

Longstrip comics are not worse than manga, of course, but it feels like creators have yet to explore the edges of the format. What can a longstrip do that a traditional book can’t? How can the limitations of the format be turned into strengths? I wonder if this will come to pass, and how long it will take.

Comments URL: https://news.ycombinator.com/item?id=33903041

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