https://github.com/m-tky/koreader-tategumi

Manga works but the screen size is a bit awkward imo.

https://news.ycombinator.com/item?id=42471913

https://artemis.jamesg.blog/

Balatro was built on the Love2D framework and its success inspired me to start playing with it. I’m a novice programmer but I feel that it’s a really amazing kit and has a lovely community attached to it.

1. It’s not very fun on iOS, especially because crypto mining makes the screen zoom in and it’s no good. Also the sound for the phone doesn’t work so that’s a big blocker. You probably know already.

2. Later, playing again on PC, I fist pumped when I finally was able to pay my ISP and the network clicked on. It felt like I defeated some boss in Dark Souls. You made that feel so horrible … thank you.

3. I sent this to a friend and he said that the browser was requesting microphone permissions so he turned it off. I didn’t encounter this but I’m wondering what that was?

Anyway I don’t know if I’ll continue to play and try to pony up the six thousand dollars I need to pay my rent and open the door to the endless staircase, but good job anyway :)

My work environment aims to be multilingual (Japanese/English) but creative conversations are inevitably stymied by pauses for translation. Machine translation and AI is helpful but fails to capture nuance, and compounds normal, everyday communication woes. Japanese only speakers on our team feel lonely and left out despite best efforts. Japanese applicants are quite rare because of the stress of being in such an environment. It’s exhausting when people around you don’t share common cultural touchstones and every conversation is an unpredictable exchange.

On the other side, although many of my non-Japanese colleagues speak varying levels of Japanese, some have tried but are unable to (or don’t care to) improve further. Working proficiency is a high bar, and our “real work” is busy. You can get by in Tokyo with cursory Japanese, translation apps and online reservations. There is a large expat community, so you can ignore the “Japan for Japanese people” if you so choose.

I wonder how things will change as the native population continues to shrink over the years. Even in Tokyo, many businesses have responded to the tourist explosion by insulating themselves in various ways. There are recent incidents related to concentrated immigrant populations as well. I hope that we avoid the xenophobic trend that is sweeping the rest of the world but I do worry.

Comments URL: https://news.ycombinator.com/item?id=40285476

Points: 212

# Comments: 227

Lately I worry about all the AI written content that appears when doing a simple web search. I’ll find an article that seems relevant, but after spending 30 seconds or so unwrapping the prose, I find absolutely nothing of value.

If I was younger and every time I tried to read something longer than a tweet I got nothing out of it, I would likely get frustrated. Maybe that’s why it’s easier to default to gifs and memes.

> This is not the middle. The author is talking about small games.

Exactly what I thought reading this article. It’s very hard to stand out and it’ll only get harder. Tools are much better than before, and now AI generation is entering the ring. Being an exceptional game is half the problem, the other half is getting noticed. Which takes money, or connections. Usually both.

Two additional points.

1. Good interaction design is still hard. Making something that many people can play and understand quickly is a skill. Releasing lots of content is the best way to learn.

2. Back in the Newgrounds days it was really simple to put something out there and get feedback on it quickly. Ads were (generally) not woven into games directly, the Flash tools were simpler and they limited game scope. Itch.io is ok for this but has a lot of downloadable stuff. I miss the days where browser games were huge but I guess there’s no money in it anymore. Maybe someone with better insight can share.

Unity is not my favorite engine to work with, and there was a long period of buggy, non performant console ports, but less choice is always worse.

Lately I was trying PBS because it’s pretty dry, but they’re also quite left leaning no?

https://www.youtube.com/watch?v=y-Ug2-Ou2Rc

自強不息, or “Pushing forward to better yourself without ceasing,” I think? Maybe there’s a better way to put it?

Another poster mentioned 点滴穿石 which is my second favorite. It puts things in perspective quite well.

When tourists do return, I hope they respect the norms here and wear masks in public spaces, disinfect their hands, and do their best to avoid risky situations… and don’t act like Japan is a giant theme park where Covid doesn’t exist.

I use a combination of Remove YouTube Suggestions[1] and prefacing “intitle:” before any YouTube search to avoid weird matches that point me to irrelevant content.

I think it’s ridiculous that I need to constantly click “show less like this” and exert so much effort to train YouTube. I also hate how they’ll insert random unrelated videos “For Me” or “Watch it Again” in my search results. It’s all designed to keep me on the site and distracted… better to avoid it entirely.

[1] https://github.com/lawrencehook/remove-youtube-suggestions

Also, SQEX desperately wants a Destiny style live game that they can run for many years, like the domestic mobile titles that keep them afloat. Marvel Avengers, Outriders, and Babylon’s Fall were all attempts at this model but none of them captured a significant market.

They’re also pushing harder in the mobile space, trying to get at least one international moneymaker. We’ll see if their bets pay off in the next few years.

There was a Dune article that got some traction here a few months ago.

Maybe it’s because of the presentation. In many open world games the UI makes it clear that there are “X towers to climb” or “Y camps to clear”… there’s a checklist of goals. Elden Ring just lets players stumble on things as they will. Even as the map design may be similar to other open world games I feel less pressure to “do all the things”; as a result my personal journey feels more organic.

I did recognize the template pieces used in caves/mines and it did turn me off a bit. But because I’m not guided to clear all of them checkbox style it was less offensive. In a way it’s smoke and mirrors: a lack of information makes the design more mysterious than it really is.

A sibling comment mentions that the length makes multiple playthroughs a pain, but I generally am a one and done for souls games.

In another thread I commented that the open world gives a casual player more options instead of getting forever stuck on a single challenge. I think that feeling of freedom combined with faster (but buggy) movement is responsible for the broader appeal and high scores. Oh and the art direction doesn’t hurt.