Was at a conference last week where I was trying to figure out where to start with automated value models, and this is perfect.

Tho if it works as free advertisement on either side, that’s a win-win.

They then use their own “special” algorithms to give their price estimate based on “relevant” factors by what you are describing.

Your real issue is that the agents putting these homes on the market have a financial stake in it selling, and own copyright to all the pictures and descriptions of their listings. So you have more liability if you are scraping their info.

Another issue is who is the target audience for this? Most serious homebuyers are going to use an agent or a trusted partner for a transaction, and are not excited about compounding layers of hurdles to purchase a home

I am a residential real estate appraiser in the US and real estate technologist, which is why I bring up these points.

  Location: South West US
  Remote: Preferred 
  Willing to relocate: For the right company
  Technologies: PHP, XML, JavaScript, some Powershell
  Résumé/CV: Can supply Residential Appraisal License as needed
  Email: brian.lovejoy@realmetricsaz.com

As one of few young people in my profession, there is much potential in making a fairly opaque industry better known, and I’ve seen very few of my older peers interested in sharing the knowledge we hold (which is also why it is so hard to get into this profession).

I work full time in my geographic area, but I am able to set my schedule to my liking, so if I am someone who seems worthwhile to talk with, don’t hesitate to reach out!

Is your point that people aren’t willing to pay for things if they have a choice not to?

Or is it that independent artists should be grateful that people see their work at all and that “most” people will just think they are a grifting sociopath?

Not sure what your issue with my comment is, but I’m interested in what you meant, as I feel I’m missing context that only you have at the moment.

-to directly support artists with buying the albums or songs at full price, rather than letting Spotify barely pay artists anything for their music (especially independent ones without industry connections)

-knowing you own your library and that once you’ve purchased media, there is nothing to take it away other than the sands of time taking back its silicate

-one does not need unlimited access to songs they will never hear, especially when natural discoverability on Spotify is so so versus trawling through sites like Bandcamp, Earmilk, RCRDLBL (I know it doesn’t exist anymore), or other places where new artists show their work in a way that Spotify doesn’t provide

Is there a way to find the actual cost to compute a given task in terms of electricity consumption, or has this been a solved problem and hosting companies just add their proprietary sauce and then charge for the end result?

I’m curious in this way, because I’d love to be able to host for clients in my geographical area, but I don’t want to over-charge more than what it is actually worth to run the infrastructure.

At the core of my question is understanding the basic economics of hosting in relation to electrical consumption and hardware wear. I’d guess the outer layer of my question has a bit to do with knowing the true cost of hosting rather than how to make the most off of clients for simple services.

Appreciate any and all input!

Comments URL: https://news.ycombinator.com/item?id=40300339

Points: 2

# Comments: 1

I have no use for machine learning like this, and definitely not what I thought when I saw the headline. Hope the pivot works well for alphabet, but odd nonetheless.

Her and a bunch of others are active on the Obsidian discord, and from the TTRPG specific Obsidian group, they released a fantastic resource in: https://obsidianttrpgtutorials.com/Obsidian+TTRPG+Tutorials/...

It has a lot there, and not every DM needs everything in here. However, I love this resource as another way to understand all the different things you could do with and without plugins.

Where I have used pen and paper in the past to track everything, Obsidian has supercharged my ability to sit down and flesh out my homebrew world in a way that was hard to do for myself prior. On top of the ease of writing and linking together notes, it also allows me to simultaneously tie in my pre-written lore with the session notes I take, so I don’t forget stuff that happens or that my players are supposed to pick up on.

I’ve also encouraged my players to use it, so that if they are taking notes on the right things, they can piece together stuff or make their own assumptions to inform how they choose to play.

It works for us, I get it’s not for everyone. But versus my old DM Binder in OneNote, it works perfectly for my needs!

On a similar, yet separate note, I’ve found the folder/note structure to be conducive to learning new TTRPG rules and essentially having my personal SRDs for different games (currently chunking my way through the Shadowrun 6e SRD and making my own notes or expansions on it to make it make more sense).

So possible rendering point, though I guess falls under browser engine

You could probably find other books on attachment theory, but the application of those ideas in a book that is based on the individual and how to navigate your own attachment issues in the midst of multiple relationships is great.

I like the idea of computing that works anywhere and is not locked in by vendor, but it seems like this is early enough that they are light on specifics, from my cursory glance.

I would love not having to rent my platform from anyone, but our current system does not support owned domains for a non-technical user who does not have the tens of thousands of dollars to apply for owning their own TLD.

If anyone else gets to it before I do, let me know if it needs some reworking. I’ll post my findings in a reply to this comment once I have the ability!

What boggles my mind is that the hardware for some of this gear is nothing new; Motorized faders have been commonplace since the mid 70’s, knobs and potentiometers have been around for a while, and to my understanding most older control boards are simple computers. Is there anyone on HN that might have domain experience in this or could direct me to someone who does?

I think making custom hardware for myself and others sounds like a nice hobby in my free time, but it seems like I am not aware of any resources that break down how to get into doing so. I have experience in basic circuit design and can read diagrams, and could stand to build back my abilities to solder from more than a decade of not using them.

I do understand that there are Eurorack synths and stuff out there, but I’m more talking about making music hardware at a small scale and making it available for anyone to build upon or learn from.

Comments URL: https://news.ycombinator.com/item?id=33834100

Points: 2

# Comments: 1

Definitely checking it out and might have to subscribe for a bit!