The Jetson hardware is targeted to low power robotics implementations.

The Jetson Orin is currently marketed as prototyping platform, and I believe it does not generally challenge recent Apple Silicon for inference performance, even considering prefill.

In the latest Blackwell based Jetson Thor, the key advantage over Apple Silicon is its capable FP4 tensor cores, which do indeed help with prefill. However, it also has half the memory bandwidth of an M4 Max, so this puts a big bottleneck on token generation with large context. If your use case did some kind of RAG lookup with very short responses then you might come out ahead using an optimized model, but for straightforward inference you are likely to lag behind Apple Silicon.

At this stage, professional inference solutions ideally use discrete GPUs that are far more capable than either, but those are a different class of monetary expense.

The 74 minute length resulted from Sony rejecting the Philips 60 minute 11.5cm diameter “Pinkeltje” disc size in favor of a 12cm diameter.

It’s quite possible that Sony’s Norio Ohga simply argued that the 9th symphony or various operas fitting would be enough of an advantage for the slight size increase without meaningfully decreasing portability.

I have since come to view it more as an interesting lesson in the pitfalls of hypothesis formation, popular non-fiction, and vanity.

Even so, as a layperson, it's entirely understandable to perk up whenever someone discovers 'tubules' in the brain, even if none of that sufficiently supports any of the collapse requirements of the Penrose/Hammeroff quantum microtubes.

The issue at hand, however, is not about any particular media content being censored but about the manipulation of how that media is presented or suppressed by a foreign source. I think people should be given the freedom to choose what to view, but I am also not naive enough to think that we as a whole are not susceptible to influence, often without even being aware of how we are influenced.

To the end that the US has a national security interest here: We have other laws on foreign political influence like FARA and the Logan Act that have similar tradeoffs around free speech and free association, but these elicit much less controversy. There’s a fundamental question: should the ideals of free speech be allowed to undermine the framework that allows that free speech to exist? To some, saying yes to that question is like arguing the US Constitution is a death pact.

Don’t forget that part of the reason there’s a compartmentalization between Douyin and Tiktok is China’s own concerns about their nationals being exposed to outside influence in a manner far greater than what the US dictates the other way.

I really enjoyed TikTok and will miss it, but it’s hard to argue that it didn’t at least provide the potential for the CCP to more directly have an intentionally negative influence on western audiences.

I’m not sure how the relative straightforwardness of that approach maps to a company that basically has two main supply chains (737 in Renton and everything else in Everett with North Charleston as a satellite.)

Nature's first green is gold,

Her hardest hue to hold.

Her early leaf's a flower;

But only so an hour.

Then leaf subsides to leaf.

So Eden sank to grief,

So dawn goes down to day.

Nothing gold can stay.

Early versions of the poem show meandering sequential steps of revision that suddenly give way to a less intuitive flourish that anchors it.

This contains the best description of the revisions I have found online- https://poemshape.wordpress.com/2011/01/09/the-making-of-rob...

I mean, at least one other company took the leap a few years before Ikea did: Sauder.

A shuffle already implies shuffling like a deck of cards, so you wouldn’t get duplicates unless you had two of the same card, and I that’s how it was described in the manual.

“We need not pursue the issue of originality of derivative works. The Copyright Act grants the owner of a copyright the exclusive right to prepare derivative works based upon the copyrighted work. […] So Pickett could not make a derivative work based on the Prince symbol without Prince's authorization even if Pickett's guitar had a smidgeon of originality.”