But then if all their peers are in fact outperforming them, because they're already all self-medicating for ADD symptoms, or have a prescription for ADD meds, so they can focus on something that most ordinary people would have trouble focusing on... what then?

What's normal in a work environment that's fundamentally and extremely not normal?

I accept (demand, really) TypeScript but I've become allergic to any attempt to add much more on top of JS than that. I can just see the next poor bastard coming along in a short year or two and going "oh god, WTF is a '.svelte' file? What did my piece of shit predecessor fall for?"

I'm looking into Vue today. Possibly I'll settle on something even simpler.

React's certainly out, and thank god the mood is finally shifting enough that I can abandon it without harming my career (much). Slow, janky, and god they've made some weird choices with it in the last few years. It was always a bit heavy, but it felt like it had some degree of elegance to it before that—if only in parts of the API itself, not the implementation.

[EDIT] Oh good lord, '.vue'. Don't any of these just use normal-ass code? Sigh.

Anywho, I've solved this by having fewer opinions about technology and generally giving fewer shits. Doomed project? Yeah, they almost all are, so, fine. Bad tech? Most of it's terrible, that's normal. Some moron having way too big a say in the project and making it worse while creating unnecessary work? Yeah, that's normal.

We must imagine Sisyphus happy. I suppose.

I've kinda thought about starting an agency or trying to launch a product, but between not being able to stand looking at a computer screen after my day job, and my guess that that'd end up sucking just as much, but in different ways, I've not done it yet. Honestly, probably never will. Coming to terms with what I, realistically, won't ever do has helped some, too. Kill any dreams you don't care enough about to work toward today. Just let 'em go.

> Would all of the Star Wars content on Disney+ even have been made if Disney couldn't put it on Disney+, for example?

I think the strongest argument in favor of the current arrangement is that monopolies yield rents, which (might!) mean more money for production. However, I think in a world where no production companies could own streaming platforms, production companies would probably... you know, still produce lots of content, since selling content would be their main way of making money, and you can't sell what you don't have.

More importantly than whether Disney would still be OK, I think it would make it easier for indies and startups to participate in the market.

In the current environment, I suspect we'll see (are already seeing, to some extent) history repeat itself, but not do anything about it this time, because we're so skittish of regulating markets now.

I don't think you should have to own an extensive catalog of content to launch a streaming service. Nor that you should effectively have to grovel for the patronage of one of a handful of integrated production+distribution mega corporations to undertake production of new media. But that's rapidly where the market's heading, and I don't see any mechanism to change that course short of anti-trust action.

There are, as usual, some benefits to the rents the current monopolistic system produces (extra cash sloshing around to throw at projects, for example—extra R&D money is a typical benefit monopolies produce, and in this case, because the monopolies are on particular content rather than on all content [so far—Disney's getting alarmingly close], there remain incentives to actually spend that money on, if you will, R&D, or the closest thing to it in media production) but at the cost reduced competition on cost & quality, and of making it much harder to enter the market, for new players.

But, part of the trouble with this analysis, as far as sussing out the above issue, is season-count. How many Netflix originals are as long as, say, The Sopranos? Or The Wire? How many are only one season, or maybe two? It's possible (possible! I do not know) the hours-of-original-content difference between Netflix and the other services isn't as large as this suggests. Or that it's even larger. Hard to tell.

I'd say that this chart points toward bad things for Netflix, but without some other pieces of data it's hard to tell what it's actually saying.

It'd also make it easier to enter both parts of that market, as a production company or a distributor, which is currently something that only a company with an enormous pile of cash and/or ownership of an existing large catalog of material, can realistically do.

Though people's rankings seem crazy to me. Apparently just producing a Star Wars thing and not totally shitting the bed in the process counts as "exceptional". Then again... yeah, that's kinda true, I guess. From a certain point of view. Still, better than nearly all shows on all those services? Yikes. I dunno about that.

I think I've done that like... four or five times, total, since the year 2000. And I think every time it was for a single big bug-splatter.

[EDIT] I also recall there being tens of times more large insects—butterflies, large moths, grasshoppers, katydids—around in general back in the late 80s and early 90s, even in the 'burbs, like they were just all over the place in the Spring and Summer, you'd walk through lawn-length grass at the school playground and tons of them would be all around you, hopping away or taking to the air, and now I have to try pretty hard to find even one... but surely that can't be right, can it? That'd be super noticeable by scientists who track that kind of thing. Right?

"There are people who would hardly agree with you," replied Conway with a smile. "Quite a lot of things have happened in the world since last year, you know."

"Nothing of importance, my dear sir, that could not have been foreseen in 1920, or that will not be better understood in 1940."

"You're not interested, then, in the latest developments of the world crisis?"

"I shall be very deeply interested—in due course."

— James Hilton, Lost Horizon

No. Parenting and schools have gone completely to hell. You're not wrong, everyone else is. I still can't believe schools started letting kids carry their cell phones with them to class all day. As early as elementary school. WTF.

For my part, I figure my kids can have an unrestricted cell phone (and so, unrestricted Internet) as soon as they can pay for the device and plan on their own. If they can hold down a job to cover the bill, they can probably handle it. Fuck giving 8-year-olds personal smartphones. Or even 12-year-olds. That's insane.

Yikes, I hope not. One of my favorite things about Redux (last time I used it, maybe three years ago) was that it was easy, and even natural, to build an API client library around it that could be used almost anywhere that JS will run, because it wasn't tied to React.

I didn't end up with a local employer (again—I have in the past), but I do have a remote job that pays more than local work. And it was easier to get than a GitLab job. So why even apply, unless they've significantly increased pay relative to other options?

Then the ongoing ARG portion where you have to repeatedly sit on hold for hours with the provider's billing department, insurance, and the state insurance commission and/or your congressperson's office, to finally get all the billing sorted out without getting screwed, all while receiving all kinds of scary letters that the people on the phone will tell you to ignore.

[EDIT] Oh and I bet the Canadian version of the game doesn't even have some of the greatest antagonists of the American edition: the people whose entire job is to wander around emergency rooms bugging very sick people about payment and insurance.