I'll see if I can come up with something with more up to date scholarship / better pictures (the work above is effectively but simply illustrated).

Smaller layouts (even 40%) have their advantages in minimizing how much you have to move your hands and fingers but there are tradeoffs (and a learning curve due to the necessary layers in the smallest ones).

They're not bad keyboards but you can get superior custom tenkeyless or even fullsize ones (if you must) without even having to deal with group buys now.

If you were trying to pick a realistic scapegoat he would have been a great candidate.

Making prints, especially large prints, requires high technical quality images that phones can't provide.

In person, viewed while immersed in its necessary context of landscape, it is visually powerful and moving. It is also a link to the greater world outside our narrow vales and to a cultural history of patronage of the arts.

I understand that the attitudes here are mostly skeptical of contemporary art, but it really goes too far in most cases. Serra wasn't Hirst.

A few of the more sophisticated efforts could be argued to be technically superior to anything on the SNES; consider Shadow of the Beast 3 or Lionheart.

I would avoid using it as a partial substitute of olive oil, however. Use butter if the recipe calls for it.