And yes, turing equivalence is turing equivalence, I don't see why a system of pipes can't make an AI.

Another common and ridiculous thing I see are accusations of it being merely autocomplete. I ask, suppose there is an autocomplete that regularly and consistently factors out 2048 bit primes from numbers? Would you still consider it merely autocomplete given the vast search space and how it always finds out the needle in this haystack? This betrays a lack of understanding of information theory and probability.

And again, in what way are humans not themselves autocomplete if you adhere to this definition?

https://www.youtube.com/watch?v=LHHHePJtK40

https://www.youtube.com/watch?v=KpL5htneI-c

NWOBHM tried to streamline it of course and they succeeded to an extent but as I theorized before, it took hardcore to actually invent the tools to finally achieve that goal completely and result in chromatic labyrinths. Ie its not hardcore alone, nor prog alone, both had to be part of metal's dna to result in death metal in my view personally.

Have you ever asked what he thinks of black metal?

By prog I meant just classic prog. Complexity in metal is a bit orthogonal to being prog, I think simply "normal" death metal like Morbid Angel is far more "prog" that prog due to death metal's own native sensibilities which in part as I said tie in to the hardcore lineage. I haven't yet given it proper thought, but it's my theory that the hardcore beat and the different way punk/hardcore uses power chords from general rock music is what enabled thrash and ultimately death metal. I love Sadus and Atheist, and you will see people call them "technical" death metal not "prog" death metal, it may hint that subconsciously or consciously people are aware that death metal achieves "prog" goals without actually necessarily using classic prog techniques.

From what prog I have heard, I think its amazing, and an admirable development for the time. It's a big part of why metal is metal, early metal sensibility in my view is very strongly derived from prog. The prog bands were already using less "swingy" beats and more guitar centric writing. It's just that hardcore had to finally put the final piece of the puzzle that enabled these tendencies to achieve their full fruition. Direct prog had a tendency to sometimes wander too much. Hardcore firstly checked this by being hyper minimalist, and secondly that undeveloped theory of mine regarding hardcore having innovated a very different way of playing guitar and the drumming technique letting guitars room to breathe achieving a much more naturalistic and flowing method of creating hallways of riffs.

>When I was a kid, adults told me Metal was a passing fad, it would go away in a few years, and I'd grow out of it.

Partly imo this again ties in to the influence of hardcore culture on metal. Punk groups I think were doing xeroxed art and fliers and garage recorded and dubbed tapes quite early. A punk musician named Paul Halmshaw was irritated at the lack of infra for punk and hardcore music due to mainstream infra not deeming it worth it, so he fielded his own infra. Most people know of Peaceville as a famous metal record label today.

edit: >Cannibal Corpse

I am not aware they had any grindcore/deathgrind albums. I haven't listened to their entire discography so I could be wrong.