In the mid 2010s after some lobbying, they eventually invested into new tooling to build a successor.

The new models have a handful of components in common, yes, a possibly even better re-engineered direct drive motor (and I don't remember about the tonearm) - but of course the prices put them in the "too much" range, even the more streamlined versions aimed at the DJ booth.

And they have worse feedback than the classics.

/me pets his M3D/MK5s

In the past year(s) I have noticed a few icons in my Android phone turning into the same thing.

For a long time there was Uber, white on black. And then others thought white on black was the cool thing to join in on, making the reduced icons of the following look the same : Uber, Soundcloud (they kept their sigil at least), Swile, Qobuz, myNoise. I'm sure if I installed more junk I'd have seen more.

Even myNoise who goes against tech grain! To their credit, they added an orange circle background to it sometime this spring. Soundcloud execs woke up and went back to their trademark orange. But, heck.

Also account for i.e musicians (I hear there's a few of them in Apple-land) who seem to keep getting bitten by Apple somehow breaking compatibility with a bunch of audio software/equipment even with developer release, time and time again.

Multiply by real world amounts of people.

Would be a good explanation...

Yeah, about that, news websites who want to sell me a subscription. I appreciate what you are trying to do, but can you please wait until I've read at least one or two sentences (let alone the short preview of your paywalled articles) BEFORE you dickoverslap me to consider subscribing?

By the time the thing comes up, I haven't even been able to tell whether your writer can form a coherent sentence. "Subscribe PLZ" at that point will make sure I barely even consider staying for the rest of it.

SSD IO is sluggish, fans always spin when plugged in, audio crackles if I so much as scroll a page while a youtube video is playing, the keyboard might be the worst I've touched in many, many years, the 3.5mm audio jack wore out into intermittent connectivity within a couple of months. At least the display still looks good. Went through the windows optimization motions with it too. My x230 with an i5 still has lower and more stable DPC latency and has remained my DJ laptop.

And so, having grown up hearing "audible gum chewing is rude", that sometimes feels rude to me. And it's not even in person!

click

"Ah, of course it is."

- directly ripping newer, lesser known artists instead of the classic Vallejo/Sorayama from the 90s. https://ibb.co/GpDVf2r

- switching to midjourney from ~2023 to now, so the sources are near untraceable (this was also supposedly leaked).

It still takes some talent to do a good looking copy, but it's not the same talent - and very dishonest when such literal use of reference is not credited.

In fact it's been an issue in the 16bit demoscene with graphics (standalone and in demos) suddenly getting more plentiful, with subjects constructed and lit a lot better, etc. and people being called out for suspicious works (and usually getting away with it, "because the whole point was to support our insane image compression code with a ton of images" etc.)

I'm european and can still easily confuse the "European Union" and "Europe the general area" when context is lacking, it's not a big stretch of the imagination for me that people _anywhere_ could construe this as "official" as well.

All that it looks like is backed by some emanation from the city of The Hague. No mention of the EU proper. It's european owned and backed, sure, but not EU owned and backed.

Tsh, marketing. (see Bill Hicks on marketing).

I think of all the education that I missed

But then my homework was never quite like this

[Chorus]

Got it bad, got it bad, got it bad

I'm hot for teacher

Got it bad, sooo bad

I'm hot for teacher

Wow!

[Scorching guitar solo]

Apple worked on this themselves - and then they canned it.

https://lowendmac.com/2014/star-trek-apples-first-mac-os-on-...

I can relate to the problem of revising genre or energy ratings over time. I've gone with custom genre tags for ages, ie "dub/house/techno" or "funk/disco/edits" with a sprinkling of extra qualifiers in the comment field and do bulk updates from MP3Tag/Foobar2k. The extras only really help when preparing "crates" for export to USB for outside use, or when just playing off the entire collection at home. I'm fast, but still not much time to read the comment fields when browsing on the players, much less input any words with the scroll wheel.

I keep every purchase around in FLAC, and the part I might realistically play out stays in AIFF, for minimum fiddling of tags (ie stars map a bit differently between Traktor and Rekordbox) - because of course Rekordbox will warn you you're exporting files you can't play anywhere, but won't do anything to transcode them.

Lossless whenever possible because I just want to give the sound quality as much of a chance as I can when recording sets, especially if they might get posted online and getting lossy-transcoded multiple times. I've tried the mp3 of mp3 thing, and you do hear it at home (out at a gig, most of the time, probably not).

I don't suffer from track bulimia, so the numbers work out - and disk space has gotten a lot cheaper in the last 20 years.

OTOH, some 12 years ago I worked IT at a newspaper and we were moving offices. The archivist got an intern in a room in our section of the building and together they spent a month or two scanning, then committing whatever physical media to burned CDs (maybe DVDs) before chucking the former to the bin. Maybe a year after the move, a ticket was opened and I went to check the disks. None of them worked, CRC failures all over. I don't think they even considered testing them, or burning duplicates, or maybe they used a really bad drive which would produce media unreadable by anything else - although I'm only aware that this is a thing with floppies for example.

I would respectfully disagree and swap these, unless the festival is something like Freerotation. Festivals tend to bring out the more consumer friendly, hands-in-the-air side, and more often than not, force everyone to condense their sets, losing a lot of the "storytelling", risk-taking and deeper cuts.

What remains of techno has largely rotted in the last 5+ years due to the high-visibility, high octane arms race "business techno" festival energy, for example.

Also wasted Richie Hawtin, IIRC. And of course, as I'm sure he asked, they knew who he was :D