Hope to see you guys being written about in the same fashion as https://www.bvp.com/atlas/bootstrapping-to-100-million-arr-c...

down the road.

That said, I feel like "quant geeks" aren't quite underdogs compared to silicon valley devs. wdyt?

Do you have any links, articles, or further reading you could share to help me understand where the high degree of confidence comes from?

This guy seems to be convinced of the exact opposite conclusion that is is indeed engineered. https://www.youtube.com/watch?v=5d-eqdRSx7Y

Curious to have a discussion on this with anybody knowledgeable on the topic.

> Always baffled me how little commercial sense HNers had when I was growing up and reading this forum.

How long have you been reading HN? How have you felt the "HNers" w.r.t. nose-for-commerciality (and along whatever other dimension you think is relevant) change over time?

The section on Zhang Chongren's wikipedia was cool

```

# Influence on Hergé

Hergé's early albums of The Adventures of Tintin were highly dependent on stereotypes for comedic effect. These included evil Russian Bolsheviks, lazy and ignorant Africans, and an America of gangsters, cowboys and Indians.

At the close of the newspaper run of Cigars of the Pharaoh, Hergé had mentioned that Tintin's next adventure (The Blue Lotus) would bring him to China. Father Gosset, the chaplain to the Chinese students at the University of Leuven, wrote to Hergé urging him to be sensitive about what he wrote about China. Hergé agreed, and in the spring of 1934 Gosset introduced him to Zhang Chongren. The two young artists quickly became close friends, and Zhang introduced Hergé to Chinese history and culture, and the techniques of Chinese art. Of similar age, they also shared many interests and beliefs. Hergé even promised to give authorship credits to Zhang in the book, but Zhang declined the offer. As a result of this experience, Hergé would strive, in The Blue Lotus and subsequent Tintin adventures, to be meticulously accurate in depicting the places Tintin visited.

As a token of appreciation, Hergé added the character "Chang Chong-Chen" (Tchang in original French-language version) to The Blue Lotus.[1]

As another result of his friendship with Zhang, Hergé became increasingly aware of the problems of colonialism, in particular the Empire of Japan's advances into China, and the corrupt, exploitative International Settlement of Shanghai. The Blue Lotus carries a bold anti-imperialist message, contrary to the prevailing view in Europe, which was sympathetic to Japan and the colonial enterprise[citation needed]. As a result, it drew sharp criticism from various parties, including a protest by Japanese diplomats to the Belgian Foreign Ministry.[citation needed]

```

I bought a copy of The Blue Lotus after learning about how the publication of that adventure was a turning point in Hergé's understanding and open-mindedness about other (specifically China, in this case) cultures.

https://en.wikipedia.org/wiki/The_Blue_Lotus https://en.wikipedia.org/wiki/Chang_Chong-Chen

I'm curious to understand why China is to be blamed, exclusively? Correct me if I am misunderstanding your premise.